Original Sinsuality Tour: The set list and reviews for Tori's July 7, 2005 concert in Rome, Italy
Updated Thu, Jul 07, 2005 - 7:10pm ET
You can now see the set list and reviews for the Rome, Italy concert at the Roma Fiesta. Tori set list included Take To The Sky, Crucify, Blood Roses, Seaside and the covers Father Figure (George Michael) and Imagine (John Lennon) during Tori's Piano Bar segment of the show. Tori referenced the bombings in London during the show, and her selection of songs reflected the sad news of the day as well. If you were at this concert and want to send The Dent a review, please email Mikewhy at firstname.lastname@example.org with your review or comments. You can also post your review of the show on The Dent's Original Sinsuality Tour Forum. Thanks for sharing your reviews with The Dent.
Tori performed in Rome, Italy on Thursday, July 7, 2005 at the Roma Fiesta.
Special thanks to Richard G. and Eric for calling me with the set list after the show.
Take To The Sky
Cloud On My Tongue
Father Figure (George Michael cover)
Imagine (John Lennon cover)
Sweet The Sting
The latest reviews are at the bottom of this page. If you were at this show and want to send The Dent a review, please email Mikewhy at email@example.com with your review or comments.
You can also go to the Original Sinsuality Concert Review Forum and post about your experiences as well, or read additional reviews.
From Richard G. and Eric:
The sad news about the bombings earlier that day in London were very much on the mind of both Tori and the audience during the concert. Tori did reference the terrorist bombings, created a special improv, and selected songs that were appropriate as well.
Tori did alter the show from her written set list. She was suppose to perform Rattlesnakes between Seaside and The Beekeeper, but decided to drop it. Also, the second encore was suppose to be Goodbye, Pisces and China, but she did China and Hey Jupiter instead.
The show was emotionally charged because of the events in London, and Tori mentioned the bombings during her hello early in the show, saying something about music being a good way to heal. Before Crucify she did an improv that included the lyrics, "More blood, more tears today, your generation must find a way to heal..." It was very beautiful. She also performed Imagine and Seaside, which were both appropriate given what happened today. This was all very well received by the audience.
After Seaside, she whispered "beekeeper" to let her stage crew know thats he was skipping Rattlesnakes, During Imagine, she sang the words "sisterhood" and "humanhood" in addition to "brotherhood".
The venue was outdoors again, but this one was large and not really intimate. There was a large gap between Tori and the first row, it was general admission, and there was standing during the show.
Eric later emailed me the following comments:
- Tori's improvisation before Crucify also included the words (towards the audience - and especially the 'next generation' represented in the audience): "you must use your feet to walk the walk - you must use your mouth to talk the talk..."
- The entrance fee for the show in Rome, which included the admission to the festival, which went on through the night after Tori's performance, was only 12 Euros! I hope that Tori was able to make some new 'friends' during this concert, since the low ticket price in combination with the 'Roma fiesta' may have encouraged people to come to the show, who would not have attended a 'normal' show.
- The Italian audiences continue to applaud in a positive way during certain moments of many songs. One very nice moment came yesterday during Playboy Mommy, when the line "from here to Birmingham I got a few friends" triggered a very friendly round of applause, when Tori indicated towards the audience that they were meant as well.
- Before Take To The Sky, Tori said that she does not have a band and that she does not have a drummer. Therefore, she would need some help and she said that she would show us. Then, she demonstrated the clapping as usual on her piano and the audience kept clapping in this rhythm for the entire song.
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