Articles - January 1998 |
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Knoxville News-Sentinel January 30, 1998
This review also appeared in the Austin American-Stateman on February 5, 1998. |
MTV Web Site January 1998 |
Boston TAB Newspaper January ? 1998
"Soundtrack City: There's been a plethora of soundtracks put out recently and most are worth your dime. "Great Expectations" (Atlantic) is the prototype of modern soundtracks as it features artists that cross all genres of the rock radio spectrum. Adult Album Alternative will love Tori Amos' "Siren", which is more linear and mainstream than anything she's done in a while. "Wishful Thinking" by Duncan Sheik proves that this guy may actually have a career in him yet. Other artists include alt rockers Poe and Blur, but you also have to put up with Reef and the Verve Pipe, and a very bad crossover pop track from Scott Weiland. If this is his music cleaned up, get back on the smack, Scott. The best cut comes from Soundgarden refugee Chris Cornell, whose lilting "Sunshower" is beautifully rendered. By Ken Capobianco |
E! Online January 1998
The movie's release was delayed, which isn't a great omen, but this soundtrack is all good--or, almost. Chris Cornell's blubbery Steve Perry-esque ballad and Tori Amos' title-theme gasping are the worst of it. But, Amos makes up for her noodling excess with "Siren." Duncan Sheik's "Wishful Thinking" proves he's the master of midtempo moodiness, and Poe's got the thrashing, brooding, youthful thing going full speed on "Today." Pulp, the Verve Pipe and Scott Weiland also contribute solid cuts, but Iggy Pop's "Success" might be this soundtrack's breakout, à la "Lust for Life." But that's probably raising expectations too high. |
New York Daily News January ? 1998 MetroJoe82 reports that in an early January 1998 edition of the New York Daily News, they listed Tori in an article called "Early-bird artists have jump on '98" by Jim Farber. The article says, "After three platinum LPs, the world's most self involved modern singer-songwriter, Tori Amos, is releasing her fourth full length album. The buzz on Amos has been increasing and so has her audience. Expect another hit." Self Involved? The article gives a release date of March, but we know that is too early. Since this was a syndicated article, it appeared in other newspapers as well, including the Arkansas Democrat-Gazette on Jan 15, 1998 (Thanks Jess!) and in the Indianapolis Star on Jan 18, 1998 (Thanks Brad Shultz.) The title of this article seems to change from newspaper to newspaper by the way. |
People Magazine January 26, 1998
"Anyone who has seen and heard the trailer for the upcoming movie adaptation
(due Jan. 30) of Charles Dickens' 19th-century novel knows what not to expect:
This is no buttoned-up-to-the-chin period piece with some wooden instrumental
score. The story now unfolds in 1990s New York City as Ethan Hawke's and
Gwyneth Paltrow's characters yearn, burn and exchange come-hither looks, and
much of the soundtrack expresses equal passion. Tori Amos is all breathless
ecstasy on 'Siren', Mono's 'Life in Mono' slinks along like a four-minute
sigh, and solo efforts by former Soundgarden front man Chris Cornell and Stone
Temple Pilots vocalist Scott Weiland abandon the hit-and-run wallop of grunge
for more sensual sonics. Modern rock has rarely sounded so seductive. |
L.A. Times January 18, 1998
Tori Amos: May (Atlantic). The willowy chanteuse, who is one of the most intense of the heralded '90s generation of female pop singers-songwriters, has put together three straight platinum albums, and Atlantic is optimistic that the new, still-untitled fourth album will continue the streak. The album reportedly features a more expansive, band-oriented sound than Amos' 1996 album, "Boys For Pele." She'll also be doing limited touring. " |
San Francisco Chronicle January 18, 1998
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Billboard Magazine January 17, 1998
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Entertainment Weekly January 16, 1998
VARIOUS ARTISTS Great Expectations (Atlantic) |
Richmond Times-Dispatch January 15, 1998 |
Jacksonville.com (The Florida Times-Union) January 14, 1998 The following review of the Great Expectations soundtrack appeared at the Jacksonville.com web site (published by the The Florida Times-Union) on January 14, 1998. |
USA Today January 13, 1998
POP/ROCK: Great Expectations: The Album (*** out of four) - High expectations are met in this soundtrack to the Dickens update starring
Gweneth Paltrow and Ethan Hawke. Excluding vintage tunes by the Grateful
Dead and Iggy Pop, "modern" defines the 16-track collection, which
spotlights such alterna-stars as Tori Amos, Poe, the Verve Pipe, Reef and
Pulp. Lauren Christy's edgy "Walk this Earth Alone" and Duncan Sheik's
wistful "Wishful Thinking" are absorbing entries, but the strongest lures
are the left turns taken by two newly solo alt-rockers. Former Soundgarden
front man Chris Cornell wails majestically in the acoustic "Sunshower," and
ex-Stone Temple Pilots vocalist Scott Weiland brings dark drama to the
violin-laced cabaret of "Lady, Your Roof Brings Me Down." - E.G.
and the caption under the picture goes...
"Tori Amos: Alternative star helps give the 'Great Expectations' soundtrack
a modern feel. Gwyneth Paltrow and Ethan Hawke star in the Dickens update." |
VH1's The Score January 12, 1998
Great Expectations: The Album opens
cinematically enough with a track
called "Finn (Intro)," a new
composition by Tori Amos. Finn, the
moniker provided by actor Ethan Hawke
after he decided Dickens' original
name Pip wasn't "American" enough,
certainly gets the new-age treatment
here complete with a "whistler"
credit. But it's not until the second
track, another newbie from Amos,
kicks in that the grand sweep of this
film and itinerant soundtrack revels
itself. Love, in all its various
guises, is taken on here by Amos in
the song "Siren" and her rich,
breakneck vocals and signature blend
of piano and percussion cut straight
to the angst and leave the warm fuzzy
feelings to the rest of the bands on
the album. The lyric "just means
She's got a Cellular handy" certainly
hints at the liberties this film
intends to take with Dickens'
original setting and faster than one
can say "Romeo and Juliet," the album
rolls out the de rigueur trip/hop
throwaway called "Life in Mono."
There are some disappointments here,
but the good far outweighs the bad.
There are even flashes of brilliance
when one can almost ignore the fact
that most of the bands on this album
not only reside in the Atlantic
stable, but also have new albums
ready to drop in early 1998. With
Stone Temple Pilots currently pulling
an Amelia Earhart, former-frontman
Scott Weiland pulls off the album's
most sublime moment, the Brechtian
"Lady, Your Roof Brings Me Down" that
puts his Jim Morrison swagger to good
use. Sheryl Crow turns up to lend a
hand on the accordion on this one and
it's moments like these that make it
almost possible to believe the film's
composer, Patrick Doyle, when he
says, "The music is like another
leading actor."
-- Tony Phillips |
Uncut Magazine January 1998 I received a report from Whitney C that In the January 1998 issue of UNCUT, a British Magazine, there is a large photo of Tori and a quote from Rolling Stone's Women in Rock issue from last November. If anyone has more information on this, please email me. |
Indianapolis Star January 11, 1998
Just wanted to let you know that this Sunday's Indianapolis Star contains a pic of Tori (from the contents page of the BFP songbook) and a snippet of her name in an article on Gender Politics.
The caption of the pic reads "GIRL POWER: Tori Amos owes her career to the
"riot grrl" music movement, which emphasized coquettish dress but angry lyrics
about victimization."
The portion of the article pertaining to Tori reads "Similarly, the "riot
grrl" movement sprung up in the early '90s in the Pacific Northwest, a kind of
hard-edged music whose purveyors dressed in a coquettish, girlish way but
belted angry lyrics about the victimization of women. They reveled in the
contradictions--part girl, part angry woman. And they paved the way for a
flock of mainstream singers like Alanis Morrissette, Gwen stefani, and TORI
AMOS, all of whom sing about hurt and anger--and often do it in the midriff-
baring baby T-shirts popular with young women." |
Billboard Magazine January 10, 1998 Billboard Magazine had a review of the Great Expectations soundtrack in their January 10, 1998 issue. They said: Various Artists The soundtrack to the high-profile 20th Century Fox film starring
Gwyneth Paltrow and Ethan Hawke features a host of talented rock,
dance, and world music artists contributing mostly new material,
some of it written especially for the movie and some of it in
collaboration with score composer Patrick Doyle. Among the
highlights are Tori Amos" rocking "Siren," cutting-edge dance group
Mono"s "Life In Mono," Poe"s "Today," and Reef"s snarling
"Resignation." Also noteworthy are the solo debuts by two of the
most identifiable voices in alternative rock: Chris Cornell of
Soundgarden ("Sunshower") and Scott Weiland of Stone Temple Pilots
("Lady, Your Roof Brings Me Down"). The first single is Duncan
Sheik"s tuneful "Wishful Thinking," which should appeal to his adult
rock fan base. A project with plenty of inherent musical quality,
aided by a powerful marketing campaign. |
New York Post January 3, 1998
MUST CD WHO: Various Artists The well-named Mono is mopy to the max, but top songs by ex-Soundgardener
Chris Cornell, sexy Poe, Pulp, and one from Scott Weiland-currently flying
solo from Stone Temple Pilots-even out the balances. The oddball inclusion is
the dusted-off Grateful Dead recording of "Uncle John's Band." Why its here is
a mystery that arouses curiosity about the silver-screen version of the
classic Dickens tale-opening January 30. |
Orange County Register January 2, 1998
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Alternative Press January 1998
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Circus Magazine January 30, 1998 Ears With Feet Marc Alain reports: On page 27 of the Jan. 30, 1998 edition of Circus Magazine (With Trent Reznor featured on the cover) is the "expression of the month" featuring a caption above the drawing reading: Trent Reznor and Tori Amos The black and white drawing features a portrait of both Trent Reznor and Tori Amos, both of them having wings, yet Tori's look more like a butterfly's and Trent's look like a vulture. Toriphile Danica kindly sent me a scan of this drawing that appears in Circus of Tori &Trent. Click here to see it! |
Q Magazine January 1998 Ears With Feet Ally reports:
Flipping through the pages of the latest Q magazine (UK - January 1998) there is a section that recommends the best videos of the last three months. It included Tori Amos: Live From New York (Warner Vision), as well as Paul McCartney "In the World Tonight", Manic Street Preachers "Everything Alive" and Black Grape "The Grape Tapes". They described Tori's video as an affecting and emotional benefit concert for the Rape Abuse and Incest National Network. It included a small picture of her (the size of a thumbnail, shown here) wearing a white teeshirt with a blue beaded necklace and her red hair severly moussed up. Many thanks to Danica for sending me the photo. |
New Jersey Online (The Star-Ledger) January 1998 |
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