function list_events() { // you can edit these first three values $dateformat = "M d"; // use any php date format string $daystoshow = 365; // the number of days in advance you want to show $maximumevents = 200; // the maximum number of events you want retrieved from the database global $db_events,$sfx; $num = 0; $today = time(); echo ""; for ($x =0; $x < $daystoshow; $x++) { if ($num < $maximumevents) { $id = date("Ymd",$today); $year = substr($id,0,4); $month = substr($id,4,2); $day = substr($id,6,2); $conn = db_connect(); $result = @mysql_query("select * from $db_events where year = '$year' and month = '$month' and day = '$day'"); if (mysql_num_rows($result) !=0) { while ($row = mysql_fetch_array($result)) { $id = "E" . $row['id']; $title = $row['title']; $timstamp = $row['t_stamp']; $title = stripslashes($title); $newdate = date($dateformat,$timstamp).":"; if ($newdate==$date) { $date = " "; } else { $date = date($dateformat,$timstamp).":"; } echo "".""; $num = $num + 1; } } $today = $today + 86400; } } echo "
$date $title
"; } // END ?> The Dent: Read a review of Tori's 2003 Indianpolis, IN concert from the Indianapolis Star
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Read a review of Tori's 2003 Indianpolis, IN concert from the Indianapolis Star
March 19, 2003

Updated Fri, Mar 21, 2003 - 5:01pm ET

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Thanks to Lucy for sending this to The Dent. You can read it online at or below.

Solos provide finest moments

By David Lindquist
March 19, 2003

In a stirring episode of social commentary -- for either side of the war debate -- Tori Amos sang John Lennon's "Imagine" to a packed house Tuesday at the Murat Theatre.

She sang in hopes of "a brotherhood of man" accompanied only by piano, her signature sound during the 1990s. It was a special performance of undeniable purity.

But, as Amos has explored new directions as an artist, solo tunes now make up just a fraction of her concerts.

Ani DiFranco, a peer of Amos' in the realm of singer-songwriter cult heroes, has expanded her solo folkie format with horns and keyboards. All things considered, DiFranco's new textures work.

In the case of Amos, extra players supply a layer of clutter for a listener to navigate. In concert, over-amplified bassist Jon Evans and plodding drummer Matt Chamberlain drained any compelling traits from Amos' newest songs.

Tuesday's show began with "A Sorta Fairytale" -- a touch-and-go love story found on current album "Scarlet's Walk." The three musicians, however, mustered more of a dirge than the whimsy conveyed in the song's memorable "arm and a leg" video.

Amos fails to help the cause with enunciation-free vocals that flirt with self-parody.

"Wednesday," a meandering menu of conspiracy theories set to a hoe-down beat, proved to be one "Scarlet" highlight.

And treasured oldie "Cornflake Girl" exploded in three dimensions, thanks to its melody, thoughtful arrangement and a chance for the star to vamp at her piano.

The message seems simple enough: While Amos excels at heavy topics, the songs still need hooks.

Opening act Rhett Miller (***) has turned into a romantic optimist during a solo hiatus from his top-flight Americana band, the Old 97s.

He sang about love, devotion and trust within a batch of clever, plain-spoken yarns worthy of fellow Texan Buddy Holly.

Posted by: Mikewhy

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