Articles - February 2000 |
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The Times (London) February 12-18, 2000
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CABLE Guide February 19-25, 2000
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New York Daily News and other newspapers February 2000 An interesting and disturbing article has appeared in several U.S. newspapers. The article was written by Jim Farber of the New York Daily News and discusses the relative low sales of some of rock's smarter women in comparison to acts like Britney Spears. You can read the article below. I just want to say that the figures that the writer includes seem too low to me, although I sadly agree that acts like Britney Spears are outselling smarter artists. Keep in mind that "to venus and back" has been certified both Gold and Platinum by the RIAA. Platinum means 1 million units, although I think they count each tvab album as 2 units since it is a 2 disc set. Also, these certifications are based on the number of units shipped rather than actually sold, which may account for some differences. But I still think the numbers mentioned in this article are a little too low for Tori and some of the other artists... Latest intelligence: Music fans aren't making smart choices
by Jim Farber
It doesn't pay to be a thoughtful woman in pop these days. Witness the fate of the female singer-songwriters so celebrated at the Lilith Fair three years ago.
Formerly chart-topping literate lasses like Alanis Morissette, Jel, Melissa Etheridge and Tori Amos have seen their newest albums bomb. At the same time, audiences have favored a virtual inversion of these women: such preening bimbettes of teen pop as Britney Spears, Christina Aguilera, Jessica Simpson and Mandy Moore.
The ladies of Lilith have fallen to the attack of the Lolitas.
Of course, several of the older women have released albums that couldn't be hoped to do as well as their former works. Morissette released an album of mainly recycled material in a live "Unplugged" set. Jewel's latest, "Joy," is a holiday record.
Yet both stars already had been experiencing a pattern of eroding sales that doesn't augur well for their future.
Morissette moved 13 million copies of her "Jagged Little Pill" breakthrough LP in '95 and '96. Her followup, 1998's "Supposed Former Infatuation Junkie," was unlikely to match that level. But its actual sales - of 2.4 million - represented a deep enough falloff to rate as a genuine flop. Now, her "Unplugged," despite significant TV promotion and the inclusion of several new songs, has pushed only around 300,000 copies.
Jewel's "Joy" may have done fairly well for a seasonal record, selling 600,000 copies, but it continues a downward spiral in the star's fortunes. The twinkly singer's debut moved 6.7 million. Its chaser, "Spirit," halved that to 3.4 million.
Melissa Etheridge has seen an even more precipitous drop. Her 1993 album, "Yes I Am," moved 4 million copies. Its follow-up in '95, "Your Little Secret," sold 1.2 million. Her latest, "Breakthrough," has managed just 425,000 scans at the registers.
You'll find an equally sad pattern in the sales of Tori Amos. In '96, the arty star moved 940,000 copies of "Boys for Pele." Two years later, she lured 680,000 fans to "The Choirgirl Hotel." Her latest, "To Venus and Back," has inspired just 350,000 sales.
Meanwhile, the likes of Britney and Christina move multimillions.
Maybe someone should write a book: "Smart Women, Dumb Audiences."
Yet there is one bright spot in this story. Aimee Mann, by far the brainiest of the older women mentioned, has seen her fortunes suddenly rise after having her work hooked to a celebrated movie. The "Magnolia" soundtrack, which contains nine original Mann recordings, shoots to No. 58 with a bullet in this week's Billboard Top 200. That's by far the star's best showing to date. Maybe it's not quite curtains for pop's bright lights just yet. |
Sound & Vision Magazine February/March 2000
In August [1999], Atlantic was the first major affiliate to offer a download for sale, the "Bliss" single by Tori Amos. It was offered to Internet shoppers through various e-merchants, who charged 99˘ to $1.99 (some also gave it away free to shoppers who pre-ordered the album). The result: only 1,200 fans downloaded "Bliss."
... Given the paltry responses to Amos, Bowie, and Dave Matthews downloads - and
that speedy broadband connections are still several years away for most
people - the big labels don't see any need to rush to put their vast
catalogs of albums up for sale on the Internet. |
Spin Magazine February 2000
Best Solo Artist Doug Smeath and Salvador Saca also point out that Tori was also #2 for Best Album. (The Fragile from Nine Inch Nails was #1 on that one.) Here is is each category that Tori appeared in and what Spin said about it (Thanks to David Conner): BEST SOLO ARTIST
MOST UNDERRATED
BEST ALBUM
FAVORITE SPIN COVER
BEST LIVE ACT
SEX GODDESS
SONG TO "GET BUSY" TO Tori is also featured prominently in the reader letters section of Spin, where people commented on Spin's November 1999 cover story on Tori. Sadly, only a few of the letters dealt with the bias and bad reporting that was prevalent in the original article. Here is what Doug Smeath reported about that: A large portion of the reader letters section is about the Tori article. Unfortunately, many of them are from readers who didn't catch on to Maureen Callahan's apparent bias and who were just happy to see Tori in another magazine. One was from a guy who said he finds Tori scary but strangely erotic. :-) There were two from concerned fans, including Pat Kochie's husband Tom. For some reason they titled the part about Tori "Earth Girl First!" (?) Anyway, in what is fairly rare for Spin contributors, the writer of the controversial article actually made a little reply: "I meant in no way to slight Pat's work. But most of her dolls do look like Tori, and when I said the same to Pat, she replied, 'That's what everyone says.'" Also, Spin has this really hilarious little section they do with their reader letters where they claim to break down their letters into categories, such as "5% Blink-182 concertgoers who 'really dug seeing their pseudo-punk-rock penises.'" This is always one of my favorite parts of a Spin issue. Anyway, it usually only dedicates one or two statistics to a particular subject or artist. This month's dedicated 6 to Tori:
42% Deluded Toriphiles who claim to write "on behalf of Tori" Here are a couple of the letters published emailed to me by Testmytether: "Thank you for putting a real artist on the cover. Tori Amos is an
excaptional woman whose talent in unsurpassed. Her fantastic stage presence
during her shows transports you into another dimension. Most people to it
for the money or fame, but she is really expressing a part of herself. Your
article was informative and interesting, but I would have liked to read more
about her and less about her fans." "How incredibly hysterical I was after spotting the Goddess on your cover!
Did I mention the slap in the face I needed after opening to the page of the
divine Tori Amos straddling the tree trunk? The faeries are with you. SPIN
is sublime." |
Alternative Press February 2000
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Metal Edge Magazine February 2000 Lauryn Peterson and GimpyPoop (you have to love screen names!) report that a Tori mention and photo can be seen in the February 2000 issue of Metal Edge Magazine. Lauryn says: My metal-head brother gave me a cute pic of Tori from the music mag Metal Edge. She's backstage with Dave Wyndorf (frontman from Monster Magnet) who apparently is a big fan. It was his first time meeting her, and he stated, "For a girl who sings such pretty songs, you have such a filthy mouth." I got a kick out of that. Plus, he's sticking his tongue out in a grungy crude fashion, standing next to this red-headed paragon of beauty in a gossamer bit. Just another example of Tori's eclectic sheep followers in wolfwear. This photo above comes from Lauren Peterson (with the help of Eric Peterson) and shows Tori with Dave Wyndorf of Monster Magnet. This photo appeared on the February 2000 issue of Metal Edge Magazine. CLICK TO SEE LARGER. |
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